i'll see it eventually. but i don't look forward to some dude making power armor in a cave.
UniversalWolf said:Best comic book superhero movie ever? Not a chance. Superman: The Movie still holds that crown.
SuAside said:i'll see it eventually. but i don't look forward to some dude making power armor in a cave.
You are nostalgic. The only good thing about the original Superman film is Reeves. The story is a joke (LEX LUTHOR NEEDS LAND) and the look is horribly dated.
UniversalWolf said:You are nostalgic. The only good thing about the original Superman film is Reeves. The story is a joke (LEX LUTHOR NEEDS LAND) and the look is horribly dated.
You actually think Iron Man is better than Superman: The Movie? Ahh...no.
1. Reeves isn't even the best thing about S:TM. Marlon Brando as Superman's father is better. Gene Hackman as Lex Luthor is better.
2. Lex Luthor's motivations are more insane than a joke, but be that as it may, they're no more silly than the motivations of the bad guy in Iron Man.
As for story, Superman's story (as the main character) is far better than Iron Man's. Superman constantly confronts a moral dilemma in deciding how his immense power should be used or withheld, while Iron Man just finds out about something bad going on and tries to stop it ("Hey, those Innocent People are being hurt by those Bad Guys!"). Really, Iron Man's character development is much more cliche and simplistic than Superman's. Superman is far more contemplative about plausible human conflicts like trying to please his parents and figuring out where he belongs in society.
3. The look being dated is utterly irrelevant. You can hardly expect a movie from the early 1980's to look the same as a contemporary movie, but that's no argument about it's quality. Casablanca and The Manchurian Candidate look horribly dated, being both filmed in black and white, but they're still outstanding movies. There are thousands of good movies that look dated, but the real question is whether or not you as the viewer can be convinced of and absorbed into the story's universe. Superman looks good enough to work, and that's all that matters.
Looking contemporary is no essential virtue, by the way. All modern movies I've ever seen with CG special effects have an artificial sameness and unreality to their appearance. They look great and unconvincing. Not that I have anything against the way Iron Man looks, specifically. Like I said, they used the CG special effects sparingly enough to keep it from becoming a bloated crap-fest like The Hulk or any of the Spiderman movies; there's a little more to Iron Man than just the visuals. Keep in mind, though, that in twenty years Iron Man will look dated, too. Will it still hold up when the light show isn't cutting edge?
Funny thing is, I'm not trying to say S:TM is a great movie - just that it's clearly the best of a bad genre. And I'm not being nostalgic. It hasn't been that long since I saw it, but I remember thinking it held up well and was better than what I remembered from seeing it as a kid. S:TM was the first serious attempt at making a big-time movie from a comic book character, and the people who worked on it took it seriously as a project.
To finish on a tangent: there's one thing S:TM does far better than IM, and that's end with something memorable. It's a trend in movies that the endings are generally not as good these days as they were twenty or twenty-five years ago. What everyone remembers about S:TM is Superman reversing time in order to save Lois Lane. The ending to Iron Man I've already forgotten.
There's such a magnetism to Reeves performance that it's difficult to see anyone else in the role almost thirty years later.
...a jealous businessman who wants to control the world's largest business empire.
Stark is a grown adult who has made some horrible life choices and has to come to terms with the fact that he's responsible for genocide. On top of all of that, he's an alcoholic, a womanizer, and generally just not a very good person. He has to constantly try to overcome all of these faults and character defects to become the person he wants to be and has a lot of difficulty doing so
I disagree. There are plenty of films from the 70s and 80s that don't come off as dated at all for exactly the reason you cited - the story and performances are excellent. Superman just doesn't cut it for me.
I agree with most of this, and I'm glad to hear more praise for Iron Man's CG work. I'm actually pretty excited to see how it holds up. I feel like they used just enough conventional effects along with the CG to make it stand the test of time. I really think that's the key unless you want to give your movie Spider-Man syndrome and have it look like crap two years after the release.
I'd like to understand why you consider superhero/comic movies it a "bad" genre - do you feel that there haven't been any truly "great" movies or do you just not give it any credibility?
I always thought Superman flying around the Earth turning back time was one of the stupidest and cheesiest endings in film history.
boy scouts are rare as protagonists, especially in contemporary movies
UniversalWolf said:From what I've heard what you say applies to the Tony Stark from the comic books - but that Tony Stark is not the Tony Stark in the movie. The Tony Stark in the movie is a confident playboy who also just happens to be a genius: total hack. I can think of a dozen movies off the top of my head with the same protagonist. I wish the Tony Stark in the movie had been a miserable alcoholic. That would've been promising, like Sherlock Holmes or House. Alternatively, a genius weapons designer who doesn't spend every spare moment carousing like a frat boy would be even more interesting (not to mention plausible); make T-Stark more like Bert Rutan. Still, Downey does a good job with what he's given, and he's funny, which is a huge plus.
because Superman is totally contemporary!
"Favreau believes the sequel will allow a latitude in tone,[4] and explore darker story elements such as alcoholism, which he intentionally set aside from the first film.[2] Downey noted "the next one is about what do you do with the rest of your life once you've completely changed. [...] I think the drinking and all that stuff would be a good way to confront his age, to confront his doubts, to confront the fact that maybe Pepper gets a boyfriend." Downey and Favreau met with Shane Black, who suggested they model Stark on Robert Oppenheimer, who became depressed with being "the destroyer of worlds" after working on the Manhattan Project."
now shut up, you turd.
UniversalWolf said:I have nothing more to add beyond this.