Morbus
Sonny, I Watched the Vault Bein' Built!
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That's right, Down the Wall has an interview with Age of Decadence's lead developer Vince D. Weller and it looks like another plate of RPG theory has just been served:<blockquote>DtW: How do you achieve player choice? How does that goal influence the narrative?
Vince: I assume the first question should be read as “how do you insert a choice into a story without breaking it?”. The answer is by providing multiple solutions and story arcs, which, by the way, is more logical and interesting than set-in-stone events.
Let’s take The Witcher as an example. For storytelling reasons your character is arrested when he tries to enter the city and thrown in jail. In the jail your character is asked to kill a creature in the sewers where he meets an important NPC. That’s the drama- and twist-filled story. It works great in a book format where the reader is following adventures of the main character, but it’s too restrictive in a game where the player IS the main character.
A better design would have been to offer an alternative. Allow the witcher to enter the city via the sewers (after fighting the guards and escaping or after being warned about the ambush as a reward for developing relationship with the villagers) and then run into the above mentioned NPC who will offer you to join him to kill the creature. As you can see, it’s still the same overall story and direction, and the alternative doesn’t require new art assets and tons of development time. It reuses the same situations - the arrest, the creature in the sewers, the knight NPC, the same villagers, and the same sewers, but suddenly you get an important choice instead of a forced situation that you are unable to avoid.
That’s our design “philosophy”, for the lack of a better word. (...)
DtW: “Age of Decadence” is a huge world with multiple endings and over a hundred quests. How much of the game’s story can a player see on one run-through? How does this compare to other mediums for storytelling?
Vince: No more than 60%. How does it compare? Well, many companies and publishers believe that most people will play a game only once, so they focus on making that single playthrough as memorable as possible, without worrying about replay value. Consider Knights of the Old Republic. First, the “OMG! I’m Revan!” surprise works only once and it tends to overshadow the replays. Second, there isn’t much to replay (unless you really love the story and want to experience exactly the same thing again). Keep in mind, we aren’t talking about the overall quality of the game here, we are talking about the replay value.
We designed the game with replayability in mind. You can replay the game 3-4 times taking different paths, discovering different things, arriving to different conclusions. Almost like playing several different games within the same story arc. Needless to say, we can’t rely on twists and surprises. Instead we focus on the player’s perspective, different ways to progress, and different storylines to follow.</blockquote>Link: "Age of Decadence" Developer Says Choice Defines RPGs @ Down the Wall
Spotted at: Age of Decadence Forums
Vince: I assume the first question should be read as “how do you insert a choice into a story without breaking it?”. The answer is by providing multiple solutions and story arcs, which, by the way, is more logical and interesting than set-in-stone events.
Let’s take The Witcher as an example. For storytelling reasons your character is arrested when he tries to enter the city and thrown in jail. In the jail your character is asked to kill a creature in the sewers where he meets an important NPC. That’s the drama- and twist-filled story. It works great in a book format where the reader is following adventures of the main character, but it’s too restrictive in a game where the player IS the main character.
A better design would have been to offer an alternative. Allow the witcher to enter the city via the sewers (after fighting the guards and escaping or after being warned about the ambush as a reward for developing relationship with the villagers) and then run into the above mentioned NPC who will offer you to join him to kill the creature. As you can see, it’s still the same overall story and direction, and the alternative doesn’t require new art assets and tons of development time. It reuses the same situations - the arrest, the creature in the sewers, the knight NPC, the same villagers, and the same sewers, but suddenly you get an important choice instead of a forced situation that you are unable to avoid.
That’s our design “philosophy”, for the lack of a better word. (...)
DtW: “Age of Decadence” is a huge world with multiple endings and over a hundred quests. How much of the game’s story can a player see on one run-through? How does this compare to other mediums for storytelling?
Vince: No more than 60%. How does it compare? Well, many companies and publishers believe that most people will play a game only once, so they focus on making that single playthrough as memorable as possible, without worrying about replay value. Consider Knights of the Old Republic. First, the “OMG! I’m Revan!” surprise works only once and it tends to overshadow the replays. Second, there isn’t much to replay (unless you really love the story and want to experience exactly the same thing again). Keep in mind, we aren’t talking about the overall quality of the game here, we are talking about the replay value.
We designed the game with replayability in mind. You can replay the game 3-4 times taking different paths, discovering different things, arriving to different conclusions. Almost like playing several different games within the same story arc. Needless to say, we can’t rely on twists and surprises. Instead we focus on the player’s perspective, different ways to progress, and different storylines to follow.</blockquote>Link: "Age of Decadence" Developer Says Choice Defines RPGs @ Down the Wall
Spotted at: Age of Decadence Forums