.Pixote. said:
I don't even know what "OST" is an abbreviation of....what are you asking me?
OST is the common abbreviation for "Official Soundtrack", so if any particular movie's music caught your ear, or a band, or a game, you can always just hop on down to youtube and search "[subject] OST" and if it has a CD you'd get every track as a search result. (Yeah, I hunt OSTs quite often... I love music!)
For me, while it was close, I'd say FO2. FONV was the only real rival to that, because it had MOST of the tracks from the originals, on top of some new ones that were equally as atmospheric. For example, the Jacobstown theme echoes of just as much "dread" as "resolution", which fits the location perfectly, and the classic Glow track goes with the Lucky 38 like no other track I could imagine. Still, the entire set of tracks from the originals are what I love, and FO2 had them all (well, it lacked a few, like the original Vault 13 track, and the Cathedral/Lair tracks, etc) and turned some of the more atmospheric of the selections into real set pieces that get under your skin, 12 years later. Followers "peace" becoming twisted into megalomaniacal Enclave, anyone? =D
FOBOS had a good soundtrack... if it was the soundtrack for something else, of course. It had the same "doesn't fit" dilemma as
Prince of Persia: Warrior Within; freaking awesome, soul-pounding soundtrack that you just CAN'T HELP but head-bob to, but... it just didn't feel right to experience it while playing the game it was playing TO. Some of the non-metal tracks in the FOBOS OST would have worked in a better
Fallout game, but only a few of them, really, like the "Warehouse" theme. FOT's tracks didn't do much for me, and once I learned it was the same composer behind FO3, I understood why I wasn't liking FO3's tracks all that much. They're good if you like that sort of thing, but they just didn't capture my attention and fill me with some sort of emotion that fit the scene like the other
Fallouts had done, before.