Favorite Comic

Status
Not open for further replies.

The Deliverator

First time out of the vault
What's your favorite comic; web, print, or other.
Mine are:
1. Pokey the Penguin
2. Red Meat
3. This Modern World
4. Boondocks
5. Trouble Town
 
Paper:
Garfield
Zits
Calvin and Hobbs
Get Fuzzy
Foxtrot

Online:
Flem!
Something Positive
Penny Arcade
Little Gamers
Real Life
 
Hm. Let's see...

"Peanuts" by Charles M. Schulz
"Palookaville" by Seth (you should definitely check out this guy's picture novella "It's a good life, if you don't weaken", because it's superb)
everything by Chester Brown (again: his comic-strip narrative "I never liked you" is pure genius - Chester Brown is actually Seth's best friend)
some stuff by Joe Matt (his dairy is pretty cool)
"Optic Nerve" by Adrian Tomine

Hergé rules, though. No one in this world will ever be better than Hergé.

Online comics suck big time. Comics and computers just don't mix well together. Comics should be done with ink on paper (yeah, I'm pretty conservative about these things).

I also like the New Yorker cartoonists like Peter Arno, Charles Addams, Richard Taylor (although I've always hated the round eyes), Cobean, George Price and - of course - James Thurber.
Oh, I forgot to mention Whitney Darrow Jr. and Helen Hokinson and William Steig.

They just don't draw that way anymore... quite a shame...
 
Blade Runner said:
Online comics suck big time. Comics and computers just don't mix well together. Comics should be done with ink on paper (yeah, I'm pretty conservative about these things).

Most of 'em are ('cept stuff like Diesel Sweeties, which are pixelated). Most "online comic artists" draw their comics on paper and then scan it...
 
Kharn said:
Blade Runner said:
Online comics suck big time. Comics and computers just don't mix well together. Comics should be done with ink on paper (yeah, I'm pretty conservative about these things).

Most of 'em are ('cept stuff like Diesel Sweeties, which are pixelated). Most "online comic artists" draw their comics on paper and then scan it...
I'm gonna have to jump in here - actually, a whole lot of the comics currently online are completely produced by a computer. Comics like 8-Bit Theater and Diesel Sweeties are obviously digital creations, with no real similarities with paper and ink comics.

But does that mean they don't qualify as comics? If I remember correctly, all of Scott McCloud's Reinventing Comics was created digitally, through a Wacom tablet. Not one panel was created using pen and paper. Does that mean that his work is invalid as a comic?

Or take Homestar Runner - an animated "comic." They spend approximately eight hours working on each Strong Bad e-mail, but there are no paper or pencils in sight.

Some of us webcomic creators lack the resources (and yes, sometimes we also lack the artistic talent) to produce a pen-and-paper comic strip. I don't have a scanner, and no one wants to look at the drawings I produce by hand. Using a computer to make my comics grants me a much larger degree of freedom to do what I want artistically. Even simple things like .gif animations allow me to do things that I could never do with just paper and pencil. If I make a mistake, I can easily repair it, rather than trash the whole project and start afresh.

I get about 150-200 readers daily. I wouldn't be producing a comic if it weren't for the computer's ability to let me do it my way. So whether or not I'm creating a comic according to the most conservative of definitions, I don't really care. If those 150-200 people get enjoyment out of some simple, Flash-created comic strips, then that's just fine by me.
 
*chuckles* Dude, I'm not complaining. No 4th Wall to Break = too great for words.

Also, lest we all forget, there hasn't been a hand-drawn Simpson episodes for ages. It's all computers, baby, I suppose the same goes for a lot of contemporary comics.

Still, like the Chosen One mentions in Fallout 2, it'd be a shame if everything was digitized, I'd miss the feel of paper.

And Darkwing Duck rules.

PS: any number of the "bigger comics" are, too my knowledge, ink'n'paper...PVP, Penny Arcade, Sinfest, Something Positive, RPG World, Ozzy & Millie. Correct me if I'm wrong.
 
Kharn said:
PS: any number of the "bigger comics" are, too my knowledge, ink'n'paper...PVP, Penny Arcade, Sinfest, Something Positive, RPG World, Ozzy & Millie. Correct me if I'm wrong.
As far as I know Penny Arcade is penciled, then Gabe uses Photoshop to ink and color. And if I'm not mistaken, Something Positive is colored through computer.

There are very, very few online comics that make no use of a computer in producing the comic.
 
BlurryMystr said:
If I remember correctly, all of Scott McCloud's Reinventing Comics was created digitally, through a Wacom tablet. Not one panel was created using pen and paper. Does that mean that his work is invalid as a comic?

Of course not. Scott McCloud's "Understanding Comics" and "Reinventing Comics" are very, very nice comics full of great ideas. But, then again, if I'd have to choose between McCloud's theoretical and digitally created comics or Will Eisner's "Graphic Storytelling" and "Comics and Sequential Art" (which are both illustrated manually), I'd choose Eisner's books.

BlurryMystr said:
Some of us webcomic creators lack the resources (and yes, sometimes we also lack the artistic talent) to produce a pen-and-paper comic strip.

Lack the resources? What do you mean? I've been drawing comics for years now and the only things I need are a good brush (a Winsor & Newton Series 7 number 2 costs me about 12 Euro, but a brush like that will last for about 4 to 6 months), a bottle of fine black Indian ink (4-5 Euro) and some quality drawing paper (30 Euro for 250 sheets of 250g/m² bristol). You don't need to be very rich to be able to buy this stuff, but I definitely agree that you need the necessary artistic talent to use these tools efficiently.

I don't use computers or scanners or whatever modern day gimmick to produce these comics, but then again: I don't use any colours. I use crosshatching techniques or Zip-a-Tone (which is becoming harder and harder to find what with all these computers...).

Hm. I'm a purist, aren't I? Well, I just like the old way of doing things a lot better. "The Art of Comic Book Inking" by Gary Martin says it all, really.
 
By all means, you're perfectly welcome to be a purist - I just don't see that as a justification for writing off all online comics as "sucking big time" just because they don't appeal to you. :)
 
Calvin and Hobbes (of course), Zits, Foxtrot, Johnny the Homicidal Maniac, Squee!, and College Roomies from Hell!!!
 
Yeah, 8-bit is cool, but obviously not due to any artistic value. Same with Pokey the Penguin, the greatest comic ever. I've never read a comic for art, just content.
 
Nothing compares to the paper comics.BTW here are the list of the favorites:Alan Ford
Hogar the Terrible
Garfield
 
Your favorite comic is "Hogar the Terrible?"

Ahem, I believe its "Hagar the Horrible" and it's my favorite aswell, along with "The Wizard of ID!"

Mohrg :twisted:
 
Status
Not open for further replies.
Back
Top