Emperor
Simplesmente Rajuma
The NCR can't just stop, they must burn *insert evil laugh here*
One vote against nuking but the suggestion that the NCR does not expand beyond the Mojave because of internal problems.
I like a lot of Avellone's ideas but I am against resetting the clock. Civilization eventually rebuilds and wiping it out again seems like a grimdark setting.
Instead future Fallout games should take places in states or regions that have not been used in a game yet.
The whole NCR failing from politics and being set there would also draw it out of the 50's setting and possibly make it more cyberpunk-ish.
As well as provide a vehicle for the dark humor to use. A Perk or Trait which has the sole purpose to disturbingly scale the violence to unbelievable levels being described by such a cheery and retro-styled face like the Vault Boy adds a dimension of humorous morbidity to the game. Clearly the architecture was heavily influenced by 50s-styled retro future, but not the culture. The survivors that populated the Wasteland didn't have a spec of 50s America personality, nor fashion, nor habits, nor colloquialisms, that was just a mistake of Bethesda's to extend the influence from architecture and technology to culture and people.RetroAmerica wins the cupie. Fallout's had a healthy dose of 80s punk-future flair since day one, so much so that it's probably fair to say that it was a more prominent element of the theme than the retro bits. Almost every bit of the setting that came after the bombs was influenced more by Mad Max or A Boy And His Dog (or Wasteland) than it was Leave It To Beaver. The 50s traces were always there to serve more as contrast elements and framing and to add distinctiveness to the wasteland.
Clearly the architecture was heavily influenced by 50s-styled retro future, but not the culture.
The NCR might go fascist.
(Yeah, I'm aware that almost everything any would-be bar trivia history buff would have you believe about the "Dark Ages" is completely wrong, but you get me.)
What? There's plenty of evidence the culture was at least somewhat retro, and no evidence explicitly against it- in Fallout 1 or 2. Does the opening video with "Maybe" not exist? Do the various pre-war advertisements littered around not exist? Marketers and musicians don't make products to an audience with a different sense of fashion or culture than them. Vault Suits and certain other design choices would imply that the fashion of common America was also retro-futuristic.Clearly the architecture was heavily influenced by 50s-styled retro future, but not the culture. [He omits the following:] The survivors that populated the Wasteland didn't have a spec of 50s America personality, nor fashion, nor habits, nor colloquialisms, that was just a mistake of Bethesda's to extend the influence from architecture and technology to culture and people.
You can't really blame Bethesda for taking a direction with something that was never clearly defined, and especially to assume like that.
Indeed, that's exactly what I meant, Yamu. But I guess clarification WAS necessary, since I didn't clarify on my own what I meant by that statement in the immediately following sentence, right? XDI think he was talking about the post-war environment, i.e. the (Iplay/Black Isle) wasteland is replete with the physical leavings of pre-war society, but outside of the canned reductionist facsimile found in the vaults, pre-war culture seems to bear absolutely no residual influence on the surviving communities except for where it has actively (and poorly) been upheld by groups like tribals or the BOS. Bethesda's wasteland differs very clearly in tone from Black Isle's (and even MicroForte's/14 Degrees East's) in that they decided that not just the bones of pre-war society, but the phantom of its culture, was still going to be around.
I do think that the demarcation in the originals was clear and hard to miss, so they wouldn't have needed a codified "Creating Fallout" manual as much as just putting in a playthrough or two of the games if they were seeking to hew closely to what had already been established, but that was their call to make (even if I would hardly be the first to argue for some of their choices if asked). Perhaps the (even) greater sense of civic pride present in the pre-war population of the capitol manifested itself in a desperate clinging to the glories of old, the way dark-age peons would have paid lip service to old Rome as their venerable heritage and retained what of its customs they could even as they struggled through their short, hardscrabble lives in the shadows of its ruins.
(Yeah, I'm aware that almost everything any would-be bar trivia history buff would have you believe about the "Dark Ages" is completely wrong, but you get me.)