Katja said:
...I'm not much of a war/history movie fan.
Neither am I, actually.
Precisely because it's a bastard medium that tries to do two things, and tends to do neither very well.
If I like a period piece, it's because of what was done w/language, cinematography, etc.
The Lion in Winter is a great example, which I love because of what Hepburn, Hopkins (in his first film role) and O'Toole were able to do w/it, not because it's set in the 12th Century. ("If you're a prince, there's hope for every ape in Africa.")
There are a number of movies that are coming to me now that had out-of-context black people. But eh, I don't seem to notice these things.
I don't know much about the black population in the USA though - perhaps it's not as big as I'm thinking. There are ot as many here - we have mostly Asians and East Indians in my community.
Katja said:
...But what I meant were the ones that *take place* in the present USA - a lot of the mainstream movies are not necessarily meant to be "artsy". Or if it wouldn't be out of context to include different races, I think it's fine to have black people in there.
I'm not sure why you're differentiating between art films and mainstream in respect to drama. Even the worst action movie still has a climax, denouement, etc., etc. The difference in art films and mainstream films would be largely whether it was made for mass appeal or "smaller demographics". (Or, I suppose you could say that it would depend on whether the film was made w/financial or intellectual stimulation in mind.)
Katja said:
But I guess people shouldn't even focus on race in the first place - unless a movie is in a specific context where accuracy needs to be considered.
I whole-heartedly agree that people shouldn't focus on race. In films where it's not essential to the plot or milieu it shouldn't even be a factor. However, in the US of late it's gotten to the point were the cast is put together and studios often deliberately make characters of a certain race, sexual orientation, etc. That's just keeping the fires stoked, if you ask me.
The day racism disappears won't be the day that blacks have an equal shot at a job. The day that misogyny ends won't be the day that a woman get paid as much as men. It will be the day that these issues become non-issues.
Constipated: I hate you for rubbing my nose in the fact that my Criterion Collection is still oh so far from complete.
I'll be sure to check out
Cleo from 5 to 7. However, I still maintain that while
Cinema Verite definitely had its place (and perhaps still does) in film history, I still maintain that unless you're making a documentary fact has to take a back seat to drama. Also, I think a lot of people think this type of entertainment somehow allows them to experience things outside of their ken. I say it does not. Watching a movie about something may be thought provoking, but it is not the same as experiencing it. (This goes doubly for war films, largely due to the lack of danger involved, not to mention the absence of smell.)
Cheers,
OTB