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SnapSlav
Oh well, I hear yeah. But I think they dodged that issue at least somewhat by never showing really how the apocalypse was prevented.
What? Yes it did. It showed EXACTLY how it was stopped. Cyberdyne's labs were destroyed, all 3 Terminators which had been sent through time were completely destroyed, so there was no longer any means for Skynet to be created, thus preventing Judgement Day. That's what T2 established which was nice for the movie on its own, but a problem for the greater Terminator lore as a whole.
But ... we should maybe not try to think to hard about time travel in movies, the whole thing is a contradiction in it self and pure science fiction. So there is no real logic that you could follow anyway, except for the ones that the movie is creating. The moment the movie starts to break its own logic and rules it is where it falls apart. No clue if that is true for T1 and T2. I always take both movies as well done action movies with awesome acting.
That's my point, that T2 introduced glaring contradictions with the lore the previous film had firmly established, meanwhile the first film didn't contradict itself in the slightest. To answer your question of "if this is true for T1", no it's not.
T1 introduced us to very few concepts and left the course of the movie to determine how important or how true these things were. There were two guys, a scary looking silent type and a shifty looking guy both trying to track down the same girl, one trying to kill her, the other trying to protect her. While on the hunt, we see flashbacks of post traumatic stress from the latter of the hellish life he's from, and part of that was his attachment to a photo of Sarah Connor. Because the whole notion that someone is traveling back in time to stop a psychotic robot from from killing the mother of humanity's future savior sound completely insane, no one believes Reese, including Sarah, however his desperate attempts to answer police interrogation add more exposition to the movie to further flesh out the details of the world.
When the Terminator's unstoppable onslaught makes it clear to everyone that Reese isn't lying, Sarah and Reese go on the run, which gives them enough time to bond, another opportunity to recall the picture of Sarah that Reese had always treasured, and give enough emotional growth between the two characters for them to develop strong feelings and sleep together. Then, when they decide to confront the Terminator in an attempt to destroy it, they manage to to damage it, but otherwise still leave a functional, undeterred Terminator chasing after them. Fleeing into the factory where the Terminator ends up getting crushed, Reese is killed, and Sarah is deeply shook by the tragedy that she's experienced, and the knowledge that a far worse hell awaits the world, and she even knows when. The movie ends with an epilogue of Sarah recording her thoughts for her then-unborn son, when a picture is taken of her, which turns out to be the photo Reese would end up inheriting.
In short, the entire structure of the film was designed around a loop, stressing inevitability, and showcasing that everything which was going to happen would eventually happen. The photo taken of Sarah would be given to her son who would eventually give it to Reese to eventually fall in love with Sarah over it. Sarah knowing Reese's importance in saving her life AND conceiving John would lead her to impart this knowledge onto her son, leaving Reese the only one in the dark why he was given Sarah's photo or that he was knowingly sent on a one-way suicide mission, because it already happened. Every hole there could have been was very carefully addressed, including the matter that the Terminator was a cyborg and therefore could be sent back using the time machine, despite the machine being unable to send inorganic material through time. The second film is where all the incongruities and contradictions became introduced, with a fully-inorganic T1000 being sent back in time, yet the reprogrammed Arnold model is still stripped of its clothes when it travels back, and with the previously mentioned paradoxes being introduced as of the second film. These paradoxes existed as of the second film, not the first one, because the contradictions broke the circular structure of the story that T1 followed, making the time travel ideas theoretically impossible, whereas they were at least consistent in the first film.
Wasn't this actually established with T2? Maybe I am wrong here, my memory about the first movie is not super fresh, but if I remember correctly she crushed the Terminator and there was no hint in T1 that this machine would be used to crate skynet, again, if my memory doesnt fail me, then I believe this idea came from T2, which made a big part of T2s plot! Though, yeah I also like T1 more then T2. But both are awesome movies in my opinion.
No, it was firmly established in the first film. There was a deleted scene that showed the factory in which the Terminator had been crushed was owned by Cyberdyne, so while one could argue that the finished film didn't have that made apparent because the scene had been omitted, it was still intended from the start, rather than retroactively added in as of the sequel. Also remember that the machine never crushed the Terminator's arm, since it was trying to reach Sarah when she activated the machine. Even had T2 never been made, you could still foresee that whoever owned that factory would find a highly sophisticated robotic arm next to a pile of crushed alloy.
In other movie news, I found
Warning Sign that I'd been meaning to watch, and indeed it is the movie I was thinking of that I'd seen so many years ago! Damn that was a fine trip through memory lane. Also pretty decent horror. Good watch, if anyone's interested.